
My 86 year old godmother, Aunty Anne, recalled to me the strong influence that St Peter’s had upon their young lives in the 1920s and 1930s:
“The priests were well respected in those days. Father O’Reilly was an Irish man, he was a very handsome man who carried a silver topped walking cane and wore an Anthony Eden trilby hat and a long dark overcoat. Canon Wheatley was the Father, he took us for singing lessons and taught us the responses to the Mass. We all loved him dearly. I used to go to Mass every Sunday with Granny, St Peter’s had a beautiful altar with a picture of Our Lady which had come from Rome and been blessed by the Pope”.
“On our way to school we had to pass by Nelson Street and the kids there would shout out “Catholics!” as we passed by. St Peter’s was a mixed school and my mother would make sure we were immaculate, I always wore my hair pinned back with two slides. The headmistress, Miss Bagnall once asked me “Miss Millington, how do you keep your hair so well? It’s lovely, never a hair out”. She wanted me to work as her house maid but my mother wouldn’t allow it, she thought that Miss Bagnell was too religious”.
“Every year there was a procession to St Chad’s Cathedral for all the Catholic schools and churches. Miss Bagnell would inspect us before the procession and she kept a big box full of veils and dresses for those who couldn’t afford them. My dad went out of his way to get us white socks and pumps, he was very proud of me and my sister Kath. The boys wore yellow and white belts and the girls carried wicker baskets full of flowers and we would chant as we walked through the city streets - it was a sight for sore eyes when it was all arranged”
Catholicism was much more than a religious belief for the Anglo Irish working class in the British inner cities. It was their deeply ingrained heritage passed down through generations along with the orally conveyed tales of hardship and perseverance going back to Famine tormented Connacht. It was their culture, their identity and the purpose for holding their heads high and struggling on through the years of poverty and discrimination. Just as Christ himself had triumphed over death, with his mother Mary eternally by his side, and just as the saints and martyrs of ancient times had illuminated the rugged path of humility, poverty and charity, so these generations of working class Catholics devoted themselves to the Romanised Christian doctrine.
If I have inherited any of this devotional conviction myself, it is perhaps within a deeply ingrained affinity to the idea of Mary as a female religious icon, the archetypal spiritual mother figure. For me, if religion claims to explain the universe and the forces of creation in proverbial and metaphysical terms, then it must give equal importance to the female aspects of the creation/creator alongside the male aspects. In it’s adoration of Mary to the point that she has become deity-like herself, Roman Catholicism has clearly taken a different path to other branches of the Judaic-Christian-Islamic tradition and in this respect has much in common with Eastern religions such as Hinduism where female deities such as Sita, Laxmi, Sarasvati and Parvati are venerated, or even like Tao Buddhism, where the creative force flowing through the universe is accorded duel gender – the yin and the yang.
Advocates of the contemporary ‘New Age’ school
of religious and philosophical thinking argue that it has been the historical superiority of the male Godhead figure and the dominance therefore of male values throughout Western society which have led to many of our modern day problems. Austrian physicist and philosopher Fritjof Capra claimed that it is not just our religious thinking that has been dominated by male values but the scientific models on which we have based our theories of physics, psychology, economics, biology, ecology, medicine and even political science. In his 1982 book ‘The Turning Point’, Capra argued that the influence of the ‘Cartesian-Newtonian’ mechanistic view of life is finally being outmoded by a new vision of reality based on the ‘Systems’ view of space and time, a view in which feminism is a major force. Where Capra was most radical though is in arguing that men can be feminists too:“from the earliest times of Chinese culture, yin was associated with the feminine and yang with the masculine. This ancient association is extremely difficult to assess today because of its reinterpretation and distortion in subsequent patriarchal eras. In human biology masculine and feminine characteristics are not neatly separated but occur, in varying proportions, in both sexes. Similarly, the Chinese ancients believed that all people, whether men or women, go through yin and yang phases. The personality of each man and each woman is not a static entity but a dynamic phenomenon resulting from the interplay between feminine and masculine elements. This view of human nature is in sharp contrast to that of patriarchal culture, which has established a rigid order in which all men are supposed to be masculine and all women feminine, and has distorted the meaning of those terms by giving men the leading roles and most of society’s privileges”. (1)
Within the Roman Catholic tradition, feminine values such as love, self-sacrifice, humility, submission, kindness, sweetness, thoughtfulness and peace have become embodied in ‘the work’ of individuals such as Mother Teresa, an Albanian nun whose life was dedicated to supporting poor and dying people on the streets of Calcutta. Wherever one stands in the debate around charity versus empowerment, rights and justice, i.e. don’t just give the poor a sack of grain, but a plot of land and the tools to grow their own, nonetheless, the commitment of people like Mother Teresa to the fundamental message of Christ, “When I was hungry, you gave me to eat, When I was thirsty, you gave me to drink, whatsoever you do to the least of my brothers, that you do unto me” remains as challenging a message as all of our politically correct intellectualising about social inclusion and equal opportunities.
In 1971, BBC broadcaster Malcolm Muggeridge made a BBC documentary about Mother Teresa and wrote an accompanying book in which he referred to the strong sense of equality and the value of every life, embodied within her work:
“If God counts the hairs of each of their heads, if none are excluded from the salvation the Crucifixion offers, who will venture to exclude them from earthly blessings and esteem; pronounce this life unnecessary, that one better terminated or never begun? I never experienced so perfect a sense of human equality as with Mother Teresa among her poor”. (2)
In this part of the Roman Catholic church’s ministry lives the original message of Christ. The message of Christ the radical and by Capra’s definition, Christ the feminist, whose example was through simple prayer and peaceful, loving activity, as opposed to ritual, dogma and institutional power.
If the pomp and officialdom of the Rome based church itself was far removed from Christ’s original message that the meek will inherit the kingdom of God and that the Holy Spirit is experienced through detachment from the material world and through the expression of love to other human beings, then the priests of 19th century Britain and Ireland did at least as individuals appear to follow a path closer to the teachings of the humble carpenter from Nazareth who lived amongst the ‘socially excluded’ communities of his day. Perhaps then, it was their own example as individuals that gave strength, relevance and meaning to peasant Catholics emerging from the yoke of oppression.
Part of what has drawn me to engage with Roman Catholic practice during recent years, as I approach my late-forties and after years in the wilderness of religious abstinence, has been a search for my own cultural heritage. On many occasions while travelling through the Irish countryside I am struck by the simple beauty of the solitary painted statues of Our lady, which stand at the roadside, often surrounded by barren rocks and, seemingly, miles from the nearest settlement. It is this devotion to the female icon, which one might argue is an echo of the ancient Celtic cult of the Goddess, that I find so spiritually irresistible. Re-dressing the gender balance in how we perceive our creation and creator(s) makes perfect sense and devotion to a powerful female icon is a symbolic step towards the balanced yin-yang view that Capra has described.
In the traditional Irish song An Raibh Tu Ag An Gcarraig?, translated as Were You At The Rock? the lyrics recount a time in Irish history when the celebration of the Catholic Mass was forbidden, compelling worshippers to hold open air Mass in remote parts of the Irish countryside. The altar was often a large stone and the location for the Mass was strategically chosen so that worshippers could be forewarned of approaching English soldiers, allowing them to disappear quickly into the countryside. The words of the song, recently arranged and produced by Paddy Moloney of the Irish folk band The Chieftans recalls a vision of Our Lady in almost mystical terms, once again reminding us of the ancient Celtic derived metaphor of Ireland as a woman, pure and innocent like Mary the mother of Christ:
Did you go then to the grey rocks,
and behind a wind-swept crevice there,
did you find our Mary gently waiting,
Our Lady, sweet and fair?
Did the sun shine brightly ‘round her
making gold darts through her hair?
and will you stay silent as the day
when the wind has left the air?
Oh, my Mary, long we wait here
while the hunter combs the mountains high,
and the soft wind whispers “Guard her”,
‘though as hunted we must die.
Oh the dawn is long time coming,
and the long night clings with care,
but they shall not find with their chains to bind
My Mary, pure and fair. (3)
Today, whilst congregations are said to be dropping, the Republic of Ireland resolutely remains a devout Roman Catholic nation. There is for me an irony here that one of the largest areas of the British Isles not conquered by the Roman invaders of ancient times, is nowadays the only area of our Celtic lands which so completely adheres to the ‘enduring cultural tradition’ directly derived from early Roman Christendom. If the identity and heritage of our ancient Celtic ancestors, the people who built deep womb-like places of worship like Newgrange in Ireland with it’s narrow entrance into the dark inner sanctum under the earth and it’s circular maternal patterns painted on the internal walls, was derived from a matriarchal culture, or at least a more balanced one in terms of gender equality, it is interesting that the apparently patriarchal Christian religion which was foisted upon the ancient Irish Celts by the missionaries and saints from Roman Europe, has provided in the past two centuries an enduring matriarchal symbolism so potent it has affected the identity of an entire nation and it’s children dispersed around the globe.
(1) Fritjof Capra/The Turning Point-Science, Society and the Rising Culture/ page 19/ Wildwood House 1982
(2) Malcolm Muggeridge/Something Beautiful For God/ page 23/Fontana Books 1972





